Carr Rambler Amp Manuel d'utilisateur Page 10
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- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
1959SLP Jump ..........Marshall 1959SLP .................reissuse of a late 60’s 100w Marshall Super Lead model 1959. See PLEXI 100W for the original. Emulates
“jumpering the inputs” on a 4-hole amp.
1959SLP Normal ........Marshall 1959SLP .................Normal channel.
1959SLP Treble .........Marshall 1959SLP .................Treble channel.
1987X Jump ............Marshall 1987x Vintage Series .....Reissue of the 50w JMP Lead 1987. Features an “essential” mod to the tonestack of this Plexi. Emulates “jumpering
the inputs” on a 4-hole amp.
1987X Normal ..........Marshall 1987x Vintage Series .....Normal channel.
1987X Treble ............Marshall 1987x Vintage Series .....Treble channel.
5153 Blue ...............EVH 5150 III (Blue) .................Blue (rhythm) channel of the 100w 6L6 model, made in collaboration with Fender. Recommended settings.
5153 Green .............EVH 5150 III (Green) ...............Green (clean) channel.
5153 Red ...............EVH 5150 III (Red) .................Red (high gain/lead) channel.
59 Bassguy .............Fender Bassman ..................1959, Tweed era, 5F6-A circuit. Low-to-medium gain amp designed for bass but widely adopted by guitarists.
5F1 Tweed ..............Fender Champ ....................5F1 circuit (‘58-’64), single-ended, Class A, 5w. This particular amp exhibits a unique breakup characteristic due to
its single-ended design and simple circuit.
65 Bassguy Nrml ........Fender Bassman ..................1965 Blackface version, AB165 circuit which is very crunchy and bright and does not sound like a typical Fender.
65 Bassguy Bass .........Fender Bassman ..................Bass channel.
AC-20 Dlx 12Ax7 $ .....Morgan AC20 Deluxe ..............Treble channel with the EF86/12AX7 preamp tube switch in the 12AX7 position, EL84 tubes.
Normal/Brilliant switch = Brilliant.
AC-20 Dlx Bass $ .......Morgan AC20 Deluxe ..............Bass channel with the EF86/12AX7 preamp tube switch in the EF86 position, EL84 tubes.
Normal/Brilliant switch = Normal. Bright OFF + treble booster = Brian May, Bright ON = U2.
AC-20 Dlx Treb $ .......Morgan AC20 Deluxe ..............Treble channel with the EF86/12AX7 preamp tube switch in the EF86 position, EL84 tubes.
Normal/Brilliant switch = Brilliant.
Angle Severe 1 9 .......ENGL Savage 120 .................Rough channel. Contour = OFF: boosts lower midrange around 500 Hz (warm tone.)
Angle Severe 2 9 .......ENGL Savage 120 .................Contour ON: boosts from 1200 Hz and cuts lower midrange (more transparency.)
Atomica High ...........Cameron Atomica .................A “brown sound” 100w amp, high gain channel.
Atomica Low ............Cameron Atomica .................Low gain channel.
Band-Commander ......Fender Bandmaster ...............1968 Silverface Fender Bandmaster with the AB763 circuit.
Big Hair .................80’s metal .........................Mids without mud. Revive the 80s metal scene. (Spandex not included.)
Blanknshp Leeds b $ ..Blankenship Leeds 21 .............EL84 tubes. Boutique version of an 18w Marshall with a big sound at low power. Mercury Magnetics transformers.
Bludojai Clean ..........Bludotone Ojai (Clean) ............Reported to be an exact clone of Robben Ford’s Tan Dumble. Clean mode modeled with preamp boost (PAB)
engaged as the owner prefers this. To disengage PAB change the tonestack type to Skyline.
Bludojai Lead 9 .........Bludotone Ojai (Lead) .............Lead mode.
Bogsh Brown ..........Bogner Fish preamp ...............Blue 4-channel tube preamp. Brown = fat high gain.
Bogsh Strato ...........Bogner Fish preamp ...............Strato = tight high gain.
Boutique 1 $ ...........Matchless Chieftain ...............Medium-gain amp, thick, yet crisp, with a fair amount of power amp breakup. Based on a Vox circuit.
Boutique 2 $ ...........Matchless Chieftain ...............Added Boost for more gain and high-frequency emphasis.
Brit 800 .................Marshall JCM800 ..................Model 2204. Bring the Master up for true 80’s tone. To soften the attack, lower Triode Freq and increase Neg Fdbk.
Brit 800 Mod ............modded Marshall JCM800 .........Removed the treble peaker , making the amp “heavier” and “less strident”.
Brit AFS100 1 ...........Marshall AFD100SCE ..............#34/AFD switch set to #34 mode (LED = o), the equivalent of a JCM800 (2203). 6550 tubes.
Brit AFS100 2 ...........Marshall AFD100SCE ..............#34/AFD switch set to AFD mode (LED = on), adds extra gain stage. 6550 tubes.
Brit Brown ..............Van Halen’s Marshall ...............Faithful recreation of the legendary “Brown Sound” – The modded “#1” Marshall.
Brit JM45 ...............Marshall JTM45 (Ch 1) .............Made famous by Clapton and others; a modied Bassman design. Try with a Tonebender or Treble Booster.
Brit JM45 Jump .........Marshall JTM45 (Ch 1) .............Emulates “jumpering the inputs” on a 4-hole amp.
AXE-FX AMP BASED ON DESCRIPTION
Red amps are non-MV (no Master Volume on the real amp). The MASTER VOLUME is set to 10 by default.
9 Includes the additional OVERDRIVE control.
b The actual amp has a control labeled “Tone” which corresponds to TREB on the Axe-Fx. For a more realistic simulation, leave BASS and MID at noon.
$ Amps with NEGATIVE FEEDBACK set to zero. PRESENCE is replaced with HI CUT. DEPTH is also disabled since it only aects negative feedback.
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