Carr Rambler Amp Manuel d'utilisateur

Naviguer en ligne ou télécharger Manuel d'utilisateur pour Amplificateurs audio Carr Rambler Amp. Amp_&_Cab_Quick_Reference 18.00beta Manuel d'utilisatio

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AXE-FX II
Amp & Cab
Quick Reference Guide
for Axe-Edit
Amp and cab block parameters explained
Amp and cab descriptions
Amp speaker types matched with Axe-Fx cabs
Cli’s Gain Controls Guide
Drive block descriptions
CC assigments sorted by function & CC
content compiled from the Axe-Fx II manual, Wiki and forum
suggestions, corrections, etc.: send a PM to JMA at the Fractal Audio forum
rmware v18.00 ~ Axe-Edit v3.1.5 ~ rev. March 12, 2015
NEW
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Résumé du contenu

Page 1 - AXE-FX II

AXE-FX IIAmp & CabQuick Reference Guidefor Axe-EditAmp and cab block parameters explainedAmp and cab descriptionsAmp speaker types matched with Ax

Page 2 - TOP ROW BOTTOM ROW

1959SLP Jump ...Marshall 1959SLP ...reissuse of a late 60’s 100w Marshall Super Lead model 1959. See PLEXI 100W for the original.

Page 3

Brit JVM OD1 Gn ...Marshall JVM410 (OD1, Green) ...OD1 channel, Green mode, hot-rodded.Brit JVM OD1 Or ...Marshall JVM410 (OD1, Orange) .

Page 4

AXE-FX AMP BASED ON DESCRIPTIONDeluxe Verb ...Fender Deluxe Reverb ...1965 Blackface, 22w, AB763 circuit. Great, chimey tone wit

Page 5

AXE-FX AMP BASED ON DESCRIPTIONHipower Brillnt ...Hiwatt DR103 (Brilliant) ...1974 Harry Joyce/Hylight model. Medium-gain, full soun

Page 6

AXE-FX AMP BASED ON DESCRIPTIONSolo 100 Clean ...Soldano SLO-100 (Nrml/Clean) ...SLO = Super Lead Overdrive, 100w. Normal channel, Clean ga

Page 7

AXE-FX AMP BASED ON DESCRIPTIONUSA Pre Ld2 Red 9 ...Mesa Boogie TriAxis preamp ...Lead 2 Red mode (shred.)USA Pre Ld2 Ylw 9 ...Mesa Boogie

Page 8 - BOTTOM ROWTOP ROW

1 1x6 Oval 2 1x8 Tweed 3 1x10 Gold 4 1x10 Blue 5 1x12 Tweed 6 1x12 Black 7 1x12 Blue 8 1x12 E12L (RW) 9 1x12 Stud

Page 9

1 1x6 Oval ...6” Supro, 6x9 oval speaker used in some early amps (Supro). Combine with a Plexi for some Zep.2 1x8 Tweed ...

Page 10

41 4x12 1960B V30 (RW) ...Straight Marshall 1960 with four Celestion Vintage 30s.42 4x12 Hi-Power (RW) ...1975 Hiwatt SE412

Page 11

86 1x12 Hawaii Mix ...Ohau cabinet (Producer Pack).87 1x15 Tweed Pro Mix ...Fender Pro with 15” speaker (Producer Pack

Page 12

INPUT DRIVE – Also known as Drive, Volume, Gain, etc. It is the knob closest to the input jack. In many cases it has a bright cap so the frequency res

Page 13

1959SLP ...G12M, G12H, G12L1987x. . . . . . . . . . . . . . . . . . G12M, G12H, G12L5153 ...G12-EVH (G12H30)59/65 Bassguy

Page 14

Understanding All the Dierent Gain ControlsThe amp block in the Axe-Fx has a variety of gain controls that change depending upon the amp model select

Page 15

DRIVE BLOCK DESCRIPTIONBB Pre * ...Xotic Pedals BB PreampBender Fuzz ...Classic Tonebender circuitBit Crusher ... A black box

Page 16 - FACTORY CABINETS

Amp 1 Bypass ...37 Amp 1 X/Y ...100Amp 2 Bypass ...38Amp 2 X/Y ...101Bypass ...13Cab 1 Byp

Page 17

Input Volume ...10Out 1 Volume ...11Out 2 Volume ...12Bypass ...13Tempo Tap ...14Tuner ...

Page 19

REVISION HISTORYRed text in a parameter description indicates a new function not yet accessible in Axe-Edit.2015-03-12 – Firmware 18.00 update, Axe-Ed

Page 20

LOW RES FREQ/Q/RESONANCE – Guitar loudspeakers have a low-frequency resonance, typically about 100 Hz. This shifts up slightly when the speaker is mou

Page 21 - (PRE-PI)

CF COMP1 – Controls the amount of preamp compression and sets the compression threshold of the cathode follower. Many models default to zero as they d

Page 22

PRESENCE SHIFT – Only available on Mesa Boogie Mark IV’s with a “Pull Shift” on the Presence knob (USA LEAD and USA RHYTHM). When engaged, it normaliz

Page 23 - CC ASSIGNMENTS

LOW CUT FREQ – Reduces the amount of low frequency (10-1000Hz) before the preamp input. Use this is to tighten up a tubby bass end. Somewhere between

Page 24

TOP ROW BOTTOM ROWTREMOLO FREQ/DEPTH (bias tremolo) – Works by varying the bias of the virtual power tubes, resulting in a particularly “organic” soun

Page 25

LOW/HIGH CUT – Adjusts the cuto point of rst order low/high pass lters. Increase the Low Cut if the sound is too “bassy” or “boomy.” Decrease the H

Page 26

EFFECT TYPE HI-/ULTRA-RES – Mono processing of Hi Res IRs (2048 samples, 43ms), or UltraRes IRs (up to 8000 samples, 167ms). NORMAL RES – Mono pro

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